Film Writing, July-September 2017
Sep. 30th, 2017 08:35 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
hoodedjusticeApart from my Letterboxd and Twitter accounts, where I post daily (even if the latter feels more and more like I'm sending my 140-character missives off into the howling void), Crooked Marquee continues to be the main outlet for my film writing. To that end, I took a deep dive into the shifting group and power dynamics in Miguel Arteta and Mike White's Beatriz at Dinner.
Next, I turned my attention to "Hollywood's Proud Tradition of Mocking White Supremacists" -- a piece that was most cathartic to write.
Lastly, I marked the tenth anniversary of David Cronenberg's Eastern Promises with a close examination of it most revealing scene. And I've got two more pieces in the pipeline next month, so keep an eye out for them.
Meanwhile, for Werewolf News I covered Arrow's splendid release of 1975's Wolf Guy: Enraged Lycanthrope, the less-than-impressive Skinwalkers, and the 1972 TV movie Moon of the Wolf.
Next, I turned my attention to "Hollywood's Proud Tradition of Mocking White Supremacists" -- a piece that was most cathartic to write.
Lastly, I marked the tenth anniversary of David Cronenberg's Eastern Promises with a close examination of it most revealing scene. And I've got two more pieces in the pipeline next month, so keep an eye out for them.
Meanwhile, for Werewolf News I covered Arrow's splendid release of 1975's Wolf Guy: Enraged Lycanthrope, the less-than-impressive Skinwalkers, and the 1972 TV movie Moon of the Wolf.
